Cool and Collected Contemporary

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I have officially been inducted into hell week of 2009; I have multiple crews working out, with plans, drawings and instructions required in advance. I rely so much on my digital pictures from the previous year, my digital images of spaces soon to have landscapes.  But mostly everything falls to me.  My judgment.  In plain speak, frantic.  I have piles of paper with drawings, diagrams, and plant lists. My desk is littered 6 layers deep with what I need to handle today. My inbox gets 60 emails a day.  Buck just asked me-how many more minutes do you need before we can have dinner-35, I tell him. This puts dinner at 8:20-lights out at 10, as I need to be up at 5am. Rigorous, yes. This time of year, I have plant dreams-hilarious.  This is the time during my year I so much appreciate those cooly contemporary landscapes; I have made lots of them.  contemp2

There is no sign of distress here.   OK, plenty of angst, but there is no squirming, or doubt in evidence.  Cool white walls.  Columnar trees that have it all together.  Black/green  and white, and any variation on white  is the scheme.  A scheme with no gray.  These columnar beech, in the ground some 8 years, are so quietly beautiful.  Their age is apparent.   They have had expert and thoughful care.  They lower my heart rate, instantly.  Grass, gravel, beech, stone-add one simple and contemporary pot-this  composition pleases my client.  contemp3
She is a very private person at home-having a very public life.  I understand what she was after from her landscape.  I designed this for her.  I take great pleasure in how this reflects her point of view.  Sometimes I visit this, when I know I need to restore some balance.  The point of this post; all of us exchange stories about who we are.  This exchange creates electricity in a way Thomas Edison never envisioned.
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A Stumpery

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When a client asked me to place a bronze sculpture of a bear sitting on a beaver dam, what came to mind is a stumpery.  I first read about them in “The Gardens At Highgrove”,  Prince Charles book about this garden of his. It isn’t very hard to explain;  large stumps and other dry wood are integrated into a landscape or garden as a sculptural element.  What better home for a bear, than a landscape that suggested a primeval forest.�
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The first order of business was providing water for the bear, and his beaver dam.  As the property had natural fall, it wasn’t hard to visualize a stream bed, falling over a cliff of rock, to a pool below.  This was a construction project of considerable length, involving large machinery and many tons of rocks, plumbing and filtration.  That bear was unperturbed throughout the process.
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The entire landscape was designed around the bear.  Outdoor sculpture of great size asks for a compelling and convincing landscape . Some sculpture is best in a big open area, but representational sculpture comes with a story.  The landscape can represent that story.
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Farmers in the thumb area of Michigan pile up the stumps of their dead trees on the edges of their fields, or on their property lines.  These natural fences are wildly beautiful.  All manner of seeds blow in, and soon the fence is a living thing. I found one such farmer who was willing to part with some of his stumps.�
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We trucked them on a giant flat bed, and placed them on the slope with a skid steer.  That piece of equipment seemed dwarfed by what was chained to the forks.
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If this looks precarious to you-it indeed was.  Once we set a stump down, we dug it into the ground.  As if a storm had upended it. I always try to dig in hard materials, so there’s a physical connection with the ground.
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At this stage, the idea is starting to become clear.  Though the bear is tucked into the slope, the scale of the surrounding landscape seems scaled to his size and presence.�
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The sculpture and materials are very much larger than I. An overscaled landscape can be very dramatic.  Interesting enough, this whole area is almost completely invisible on the house side.  This landscape is a room all its own.�
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The first day the waterfall ran was an anxious moment.  Once it was determined that everything was working properly, we installed the plant material.  Comprised largely of different types of dwarf evergreens, and clematis to soften the stumps, the plant choices are as hunky and massive as the bear.
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The plant material greatly softened the appearance of all the stone, and this garden is aging gracefully.  That bear has a home.

New Construction

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Having designed and built landscapes for many new homes, I can safely say I would never want to build a house myself.  Its a special person who can deal with all the decisions, delays, snafus and unpleasant surprises. You have to be a person who loves a process that involves a lot of people and circumstances over which you have no control.  The landscape process I have infinite patience for, as anything in the natural world gets my attention and respect. But landscape for a new house can be tough.  Would that my work could be first up in the project, rather than last.

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The contractors have driven over every square inch of soil, turning it into an airless, concrete like mass.  Mortar, and other debris has been dumped everywhere.  Clients are ready for a project to be finished, as well they should.  They are ready to move in and live.  They are tired of the commotion, the demands on their time, the dirt and the dust.

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There is a lot of work that goes into any new landscape construction; it can be years before a new landscape settles down, and looks entrenched. A garden feature, such as a fountain, has a definable construction  start and finish, but no landscape or garden is ever finished.  A landscape I would define as a “big fluid situation”. Try describing a big fluid situation to a client who is over the construction phase;  I do my best.

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New grass has that patchwork look.  There are more spaces than plants, when plants are spaced properly.  Big pieces of ground need shaping. There are so many details in a very large space-what person’s living room is larger than their yard?  The sheer square footage is daunting.
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It has always interested me that a new house is attractive in its “newness”.  But a landscape is always asking for some age, some maturity.  I own a “mature” house-it seems like it always needs something; the age of my house is not always a big plus.  Large landscape materials can add scale instantly, but big material moves slowly.  A large tree may take years to really root in after it is moved.  Smaller material takes hold faster. There really is no substitute for time in a garden.

construction3Landscapes can be phased-not everything needs to be done at once.  Doing everything in one fell swoop doesn’t give the space time to talk back to you.  I’d rather grass a lot, and subtract grass as is seems appropriate.  We seeded this steep slope with a carefree fescue mix that is drought tolerant  and fairly short growing, so its needs mowing but once or twice a season. When the time comes for some other arrangement, we’ll cut into the grass.

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Perennials need space to grow, so they are not instantly on top of each other.  This newly planted perennial garden was augmented with big growing annuals its first season.�
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A few seasons later, lovely.
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This landscape is starting to get good, some three years after planting.  It will get better, given my client’s care of it. He has fortitude, and lots of patience.  He still calls me for help; this is the mark of a successful new construction project.

The Cruickshank Garden

cru1cr2Jane and Ken Cruickshank have been enthusiastic supporters of my store Detroit Garden Works, since it opened 13 years ago.  I went out to her house last week to consult with her about her entry porch-more on the outcome of that later.  But when I drove up to the house, I realized that I had designed and installed the landscape for a previous owner; I later determined that the gorgeous Magnolia Soulangiana had been planted some 22 years ago. Jane tells me this makes us family.  I am glad there is existing proof of my intent to plant magnolias whenever I can; it is incredibly beautiful right now.  But really the best part is that making landscapes has made for a kind of community-of which I am a member; gardens are good for people.

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